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Cinematic Look Using Lumetri Color in Adobe Premiere Pro

Want to give your video that elusive cinematic look? Visual effects guru Tobias Gleissenberger will show you the secrets of the Lumetri Scopes and Lumetri Color panels in Adobe Premiere Pro and After Effects that make it super easy to properly correct & grade your footage.




A Newbie Looks at EditFest LA

Thanks to the Blue Collar Post Collective's Professional Development Accessibility Program, Indiana shortform editor Hillary Lewis was able to attend the American Cinema Editor's EditFest LA. Rather than the lion's den she feared, Hillary found unexpected support among people who were more like her than she'd imagined. This rare opportunity provided unique insights into what Hollywood editing is really all about, and what it takes to succeed wherever you are.
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Adobe After Effects Energy Ball

In his latest high-energy Adobe After Effects tutorial, VFX guru Tobias Gleissenberger of Surfaced Studio combines a variety of effects to create the pulsating energy ball, composited with motion tracking, optical flares, and more.




Robert McLachlan: Cinematographer for Game of Thrones

Robert McLachlan is the cinematographer of Game of Thrones, Westworld and Ray Donovan, and he joins commercial director and Go Creative Show host Ben Consoli to share behind the scenes stories from some of his most iconic scenes including The Red Wedding and The Loot Train Battle.
What Picasso Can Teach Us About Filmmaking * Art of the Edit * Sven Pape
What Picasso Can Teach Us About Filmmaking Feature film editor Sven Pape takes a unique, entertaining look at Pablo Picasso's approach to art, and offers specific examples from a variety of movies, as well as Picasso's own advice. As Sven puts it, success requires action. Make a film. Fail. Then fail harder. Of course, Picasso and Sven have great advice for succeeding too! You'll get a kick out of this one.
Blackmagic Design Fusion 9 Tutorial: The New Planar Tracker * Blackmagic Design Fusion * Simon Ubsdell
Blackmagic Design Fusion 9 Tutorial: The New Planar Tracker Editor, VFX artist, post-house owner, and plug-in developer Simon Ubsdell draws on over 25 years of experience to dig deep into the compelling features found in the new Planar Tracker found in Blackmagic Fusion. Along the way, Simon offers a wide range of tips and tricks, as well as new perspectives on the relationship between tracking and compositing: in short, tracking done right.
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What Picasso Can Teach Us About Filmmaking

Feature film editor Sven Pape takes a unique, entertaining look at Pablo Picasso's approach to art, and offers specific examples from a variety of movies, as well as Picasso's own advice. As Sven puts it, success requires action. Make a film. Fail. Then fail harder. Of course, Picasso and Sven have great advice for succeeding too! You'll get a kick out of this one.




Blackmagic Design Fusion 9 Tutorial: The New Planar Tracker

Editor, VFX artist, post-house owner, and plug-in developer Simon Ubsdell draws on over 25 years of experience to dig deep into the compelling features found in the new Planar Tracker found in Blackmagic Fusion. Along the way, Simon offers a wide range of tips and tricks, as well as new perspectives on the relationship between tracking and compositing: in short, tracking done right.
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Growing Up on YouTube: Video Production, The Next Generation

Through accessible tools and ease of engagement, young people like Sabrina Cruz have been able to grow up on YouTube and find one another. Underneath the amusing titles and colorful thumbnails, her videos have drawn over 10 million views with thoughtful messages woven together with high production value and editorial skill. Dismiss her as just a YouTuber at your peril. It's not that she's after your job. It's that she's one of the young creators helping change the world with intelligence, wit, drive, and an infectious optimism. Are you keeping up?




3 Mistakes All Beginning Editors Make, And How To Avoid Them

In the latest edition of his enduring series "This Guy Edits", Sven Pape covers the three mistakes that all beginning editors make -- mistakes he knows well, having made them all in his own editing career. Fortunately, he's learned the fixes by now too, and shares the easy workarounds in a high-energy, humorous fashion that will have even the most experienced editors nodding along and smiling in recognition.






Blackmagic Design Introduces Fusion 9 with VR

Blackmagic Design announces Fusion 9, a major update to its visual effects, compositing, 3D and motion graphics software. Fusion 9 has been designed to support the latest workflows and features new VR tools, entirely new keyer technology, planar tracking, camera tracking, multi user collaboration tools and more -- along with a price reduction down from $995 to only $295. Read why customers are already praising its speed, power, and ease of use.
RED IPP2: Real-World Looks At An Image Processing Revolution * RED Camera * Christine Bunish
RED IPP2: Real-World Looks At An Image Processing Revolution Science is one thing, the real world is another, and yet beautiful things can happen when the two interact with each other. Our conversation begins with RED Digital Cinema's Graeme Nattress explaining the ways that RED's customers are shaping the company's new approaches to color science, as reflected in RED's new image processing pipeline, IPP2. From there, filmmakers Chris McKechnie and David Battistella get specific about how RED IPP2 has revolutionized their RED workflows, both in the field and in post. No hype here. Just the facts, plus some very pretty pictures, and, okay, more than a little bit of excitement in the lab, in the field, and in the edit suite.
Authenticity: The First Step to Stock Video Success * Business & Marketing * Robb Crocker
Authenticity: The First Step to Stock Video Success His stock footage has sold to the tune of $7 million dollars over the past 10 years, earning on average over $30,000/mo. Here, Robb Crocker shares the specific steps he took, and that you can take too, to build a successful stock video business: free from clients, deadlines, and creative limits.
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RED IPP2: Real-World Looks At An Image Processing Revolution

Science is one thing, the real world is another, and yet beautiful things can happen when the two interact with each other. Our conversation begins with RED Digital Cinema's Graeme Nattress explaining the ways that RED's customers are shaping the company's new approaches to color science, as reflected in RED's new image processing pipeline, IPP2. From there, filmmakers Chris McKechnie and David Battistella get specific about how RED IPP2 has revolutionized their RED workflows, both in the field and in post. No hype here. Just the facts, plus some very pretty pictures, and, okay, more than a little bit of excitement in the lab, in the field, and in the edit suite.




Authenticity: The First Step to Stock Video Success

His stock footage has sold to the tune of $7 million dollars over the past 10 years, earning on average over $30,000/mo. Here, Robb Crocker shares the specific steps he took, and that you can take too, to build a successful stock video business: free from clients, deadlines, and creative limits.




MAXON Cinema 4D Release 19 Announced

MAXON has announced Cinema 4D Release 19 (R19). This next generation of MAXON’s professional 3D application delivers both great tools and enhancements artists can put to use immediately and provides a peek into the foundations for the future. Powerful developments have been made to viewport performance, a new Sound Effector and additional features for Voronoi Fracturing have been added to the MoGraph toolset, a new Spherical Camera introduced, the integration of AMD’s ProRender technology and more.
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Blackmagic Design Introduces Fusion 9 with VR

Blackmagic Design today announced Fusion 9, a major update to its visual effects, compositing, 3D and motion graphics software. Fusion 9 has been designed to support the latest workflows and features new VR tools, entirely new keyer technology, planar tracking, camera tracking, multi user collaboration tools and more -- along with a price reduction down from $995 to only $295. Read why customers are already praising its speed, power, and ease of use.




Authenticity: The First Step to Stock Video Success

His stock footage has sold to the tune of $7 million dollars over the past 10 years, earning on average over $30,000/mo. Here, Robb Crocker shares the specific steps he took, and that you can take too, to build a successful stock video business: free from clients, deadlines, and creative limits.




An Open Letter to Incoming Women Freshmen in Media Programs, by Kylee Peña

A lot of so-called “open letters” on the internet address the outgoing graduates of programs. And while they should bask in the glow of congratulations and good luck because they worked hard, they earned it, and they have some serious challenges on the horizon, this letter isn’t for them. It’s for you: the young woman who is leaving high school behind and beginning your first year of college in the next few weeks. Read on as Hollywood workflow supervisor and president of the Blue Collar Post Collective Kylee Peña reminds you: You have so much ahead of you!
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Indie Film Sound Editing: A This Guy Edits Tutorial

ACE Award-nominated picture editor Sven Pape ("This Guy Edits") speaks with Sundance Award-winning sound editor Ugo Derouard on The 5 Five Steps of Audio Post Production: Sound Editing, Spotting, Dialog Editing, Sound Design, and Sound Mixing, paying special attention to the specific needs of, and techniques that can work best for, independent filmmakers.
DJI Mavic Pro In Depth Review - The Best 4K Drone? * Cinematography * Tobias Gleissenberger
DJI Mavic Pro In Depth Review - The Best 4K Drone? VFX guru Tobias Gleissenberger was so delighted with the DJI Mavic Pro 4K drone that he bought (yes, bought) that he was inspired to take a break from making tutorials to create an in-depth review of this compact, lightweight, consumer drone offering terrific value. No, it's not a platform for your digital cinema camera, but if you're looking for a fast, fun, integrated 4K camera drone packed with features, the Mavic Pro might be for you. This review is delivered Surfaced Studio-style, with wit, high energy, and details you won't find anywhere else.
Stabilize 360 Video with Mocha VR * Adobe After Effects * Imagineer Systems
Stabilize 360 Video with Mocha VR In this intermediate tutorial, Mocha Product Manager Martin Brennand takes you through smoothing the horizon in a Samsung Gear 360 shot using the Reorient Module in Mocha VR. Jittery 360 video footage can be made more watchable by stabilizing with Mocha’s planar tracking tools. The tutorial is done via the Adobe After Effects plug-in, but the techniques apply to all versions of Mocha VR.
The Panasonic EVA1: Questions Answered! * Panasonic Cameras * COW News
The Panasonic EVA1: Questions Answered! Anticipation that Panasonic began building for their "mystery camera" at April's NAB Show 2017 was paid off at June's Cine Gear Expo 2017 in Hollywood, as Panasonic finally unveiled their AU-EVA1 cinema camera. Compact, lightweight, equipped with a newly designed 5.7K Super 35 sensor, and positioned between the Panasonic Lumix GH5 4K mirrorless camera and the VariCam LT 4K cinema camera, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, commercials, and music videos. Panasonic Cinema Product Manager, Mitch Gross has provided some answers to early questions about the EVA1’s target audience, shooting applications, Dual Native ISO, the 5.7K sensor, and more.
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TV Workflow Supervisor Kylee Peña: The Benefits of Pressure

TV workflow supervisor Kylee Peña (Jane the Virgin, Colony) visits Adobe's "Make It" talk show to chat with host Jason Levine about the evolution of motion picture workflows, from the days of film and tape to our modern digital world of crazy-high shooting ratios and constantly evolving technology. She also expounds on the upside to creative constraints and tight deadlines. And don’t miss the lightning round!!!




An Editor's Epic Journey, by Katie Toomey

What do you do when your company folds and there's no local work? Whatever you have to. For Katie Toomey, that meant emptying her savings and heading 2000 miles west to Los Angeles, with no job in hand. The only options were make it or break it. The journey itself was difficult, but the hardest part may have been the only thing that made it all possible: asking for help. This is a truly inspiring story with tons of real-world examples of how to accomplish what feels impossible at the time.
Fairlight + Resolve, Part 1: The DAWn of a Resolved Era * DaVinci Resolve * Marco Solorio
Fairlight + Resolve, Part 1: The DAWn of a Resolved Era Marco Solorio of OneRiver Media gives an introductory overview to the rebirth of the Fairlight digital audio workstation (DAW) that is now part of Blackmagic Design’s powerful DaVinci Resolve post-production system. Is this finally the solution to break away from the Pro Tools stronghold?
Guardians of the Galaxy Vol 2: Behind the Scenes with RED * RED Camera * Tim Wilson
Guardians of the Galaxy Vol 2: Behind the Scenes with RED Anticipation for Guardians of the Galaxy Vol. 2 was already heated up when director James Gunn announced that it was to be the first feature film captured with the RED WEAPON camera using an 8K RED DRAGON VV sensor. In this marvelous behind the scenes featurette courtesy RED Digital Cinema, James discusses the decision to use the RED WEAPON, and how it played out with director of photography Henry Braham, BSC. Both of them found the combination of the massive sensor and small form factor incredibly compelling, providing them the technology to capture the epic scale of the action, in a package small enough to allow them to get exceptionally close to the scenes of genuine intimacy that are this series' secret weapon. (See what we did there?)
Grading The LEGO Batman Movie: Animal Logic and FilmLight * Color Grading * COW News
Grading The LEGO Batman Movie: Animal Logic and FilmLight Following successful collaborations on The Matrix, Legends of the Guardians, and Happy Feet, Sydney's Animal Logic worked with Warner Bros on The LEGO Movie from pitch to proof of concept to post. Animal Logic has gone even further on the latest LEGO animated feature, The LEGO Batman Movie, where they were embedded with the production for over a year. The range of their work pushed every aspect of the Baselight system for editorial, VFX, and HDR not just for post, but for the entire production process.
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Fairlight + Resolve, Part 1: The DAWn of a Resolved Era

Marco Solorio of OneRiver Media gives an introductory overview to the rebirth of the Fairlight digital audio workstation (DAW) that is now part of Blackmagic Design’s powerful DaVinci Resolve post-production system. See why this veteran cinematographer, editor, producer, director, composer, and audio engineer calls this the most exciting development he's come across in years.
Bob Zelin's NAB Show, Take 2017 * NAB Show * Bob Zelin
Bob Zelin's NAB Show, Take 2017 Longtime broadcast engineer, facilities designer, and workflow consultant Bob Zelin has been attending the NAB Show for years, and his legendary write-ups have gone to unparalleled lengths to bring you hidden gems from every corner of the floor. Bob is taking a slightly different approach this time, as he views the specifics through the lens of trends that have been emerging for quite some time, now bearing fruit in 2017. Sit back and enjoy another real-world, hype-free, anything-but-objective ride through the industry's biggest week of the year.
Guardians of the Galaxy Vol 2: Behind the Scenes with RED * RED Camera * Tim Wilson
Guardians of the Galaxy Vol 2: Behind the Scenes with RED Anticipation for Guardians of the Galaxy Vol. 2 was already heated up when director James Gunn announced that it was to be the first feature film captured with the RED WEAPON camera using an 8K RED DRAGON VV sensor. In this marvelous behind the scenes featurette courtesy RED Digital Cinema, James discusses the decision to use the RED WEAPON, and how it played out with director of photography Henry Braham, BSC. Both of them found the combination of the massive sensor and small form factor incredibly compelling, providing them the technology to capture the epic scale of the action, in a package small enough to allow them to get exceptionally close to the scenes of genuine intimacy that are this series' secret weapon. (See what we did there?)
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Bob Zelin's NAB Show, Take 2017

Longtime broadcast engineer, facilities designer, and workflow consultant Bob Zelin has been attending the NAB Show for years, and his legendary write-ups have gone to unparalleled lengths to bring you hidden gems from every corner of the floor. Bob is taking a slightly different approach this time, as he views the specifics through the lens of trends that have been emerging for quite some time, now bearing fruit in 2017. Sit back and enjoy another real-world, hype-free, anything-but-objective ride through the industry's biggest week of the year.




Blue Collar Post Collective West "Post Talks" Free Event and Live Stream: The VFX Pipeline in TV, Film and Beyond

On Saturday May 13 in Hollywood, and with a free worldwide livestream, the latest in the Blue Collar Post Collective's Post Talks series will take a closer look at the VFX pipeline from offline to artists to online and delivery. We'll talk about the collaboration between editorial and VFX houses on scripted content, promos and commercials, the importance of communication across departments, the different roles involved in this pipeline, and how to find jobs and succeed in them! This will be a great discussion for anyone in offline, online or VFX to understand how visual effects happen and discover jobs on both ends of the pipe they may not have known about before.
Guardians of the Galaxy Vol 2: Behind the Scenes with RED * RED Camera * Tim Wilson
Guardians of the Galaxy Vol 2: Behind the Scenes with RED Anticipation for Guardians of the Galaxy Vol. 2 was already heated up when director James Gunn announced that it was to be the first feature film captured with the RED WEAPON camera using an 8K RED DRAGON VV sensor. In this marvelous behind the scenes featurette courtesy RED Digital Cinema, James discusses the decision to use the RED WEAPON, and how it played out with director of photography Henry Braham, BSC. Both of them found the combination of the massive sensor and small form factor incredibly compelling, providing them the technology to capture the epic scale of the action, in a package small enough to allow them to get exceptionally close to the scenes of genuine intimacy that are this series' secret weapon. (See what we did there?)
The Science of Editing: Look Closer -- The Mind of a Film * Art of the Edit * Sven Pape
The Science of Editing: Look Closer -- The Mind of a Film When you ask an editor what they DO in the edit suite, the answer is often something like, "Well, it's intuitive." To become better editors, though, we need to be more specific. Editor, author, and professor Dr. Karen Pearlman breaks down the process into five specific steps that editors must take in order to turn a mass of material into something coherent. You can learn to hone the specific skills of observation and self-awareness that distinguish editors from other observers, and make unexpected connections that move stories in compelling new directions. Sven Pape of "This Guy Edits" presents his conversation with Karen in the form of a powerful video essay that you will find illuminating and inspiring, and will be able to start using right away.
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